Haydn CD review - Classica (FR)

Translation

In these three mature works which are surprising in their freshness, daring and humor, the Pražák Quartet captivates with its sumptuous sound. What a core, and what a rush under these nourished, long lines, vibrant and soft! Far from the dry heights of the Mosaïques (Naïve), the Czech ensemble asserts its sensuality, which it compensates, however, with its semper moderato e grazioso character. The elegant tempos (Allegro Moderato from the Quartet No. 1 op. 77), the subtle play of lighting, colors and dynamics (breathtaking pianissimos in the Minuet of the Quartet No. 2 op. 77) bring a great deal of modesty and restraint to this reading, even when the time of relaxation arrives (more than playful panache in the Minuet of the Quartet No. 1)!

Let us not seek here the unchanging and homogeneous transparency of the Bergs (Warner Classics): the individualized reliefs of the Pražák arisewith fluidity, their contrasts respond naturally, their lines fly with enthusiasm, notably those of the charismatic first violin and cello. Did Haydn know, as he began to write this cycle, that he would never be able to complete it? While the Hansons favor youthful exuberance, revealing all the inventiveness of the father of the string quartet (Aparté, CHOC Classica No. 218), the Pražák maintains a small distance, a slight elevation, embodying the quiet assurance of an accomplished composer in the twilight of his life.

Fabienne Bouvet